2004
Charcoal on paper, frame
42x30cm
Installation view, Adelaide Central Gallery
Photograph by Mick Bradley
Through both the gestural smudging of charcoal and its eccentric placement within its frame, a drawing describes the descent of an anvil from a great height.
2004
Charcoal on paper, frame
42x30cm
Installation view, Adelaide Central Gallery
Photograph by Mick Bradley
Through both the gestural smudging of charcoal and its eccentric placement within its frame, a drawing describes the descent of an anvil from a great height.
2004
Site-specific drawing
Dimensions variable
Installation view, Nexus Cabaret Window, Adelaide
Photograph by Mick Bradley
The action-film trope of characters hurling themselves through plate glass windows is referenced by way of five figurative drawings on glass, rendered at one-to-one scale.
2004
Site-specific drawing
Dimensions variable
Installation view, Nexus Cabaret Window, Adelaide
Photograph by Mick Bradley
The action-film trope of characters hurling themselves through plate glass windows is referenced by way of five figurative drawings on glass, rendered at one-to-one scale.
2004
Gouache on paper
18x15x12cm
Photograph by Mick Bradley
The slaying of the dragon Fafner by the protagonist of Wagner’s Ring Cycle, Siegfried, is expressed through both the representational nature of drawing and physical manipulation of that drawing’s support.
2004
Charcoal pencil on rice paper
Dimensions variable
Installation view, Adelaide Central Gallery
Photograph by Mick Bradley
Draping over a gallery wall, three drawings propose three means of interacting with said wall, both through their imagery and through their physical relationship to the architecture.
2007
Graphite on paper and drafting film
15x15cm
Photograph by Mick Bradley
This series of drawings invokes visual puns afforded by an image on drafting film laid over an image on opaque paper.
2007
Ink on paper
8x6cm
Installation view, Downtown Art Space, Adelaide
Photograph by Mick Bradley
A drawing of a mousehole is pinned to the lower portion of the gallery wall.
2004
Charcoal on paper, frame
42x30cm
Installation view, Adelaide Central Gallery
Photograph by Mick Bradley
Through both the gestural smudging of charcoal and its eccentric placement within its frame, a drawing describes the descent of an anvil from a great height.
2004
Charcoal on paper, frame
42x30cm
Installation view, Adelaide Central Gallery
Photograph by Mick Bradley
Through both the gestural smudging of charcoal and its eccentric placement within its frame, a drawing describes the descent of an anvil from a great height.
2004
Site-specific drawing
Dimensions variable
Installation view, Nexus Cabaret Window, Adelaide
Photograph by Mick Bradley
The action-film trope of characters hurling themselves through plate glass windows is referenced by way of five figurative drawings on glass, rendered at one-to-one scale.
2004
Site-specific drawing
Dimensions variable
Installation view, Nexus Cabaret Window, Adelaide
Photograph by Mick Bradley
The action-film trope of characters hurling themselves through plate glass windows is referenced by way of five figurative drawings on glass, rendered at one-to-one scale.
2004
Gouache on paper
18x15x12cm
Photograph by Mick Bradley
The slaying of the dragon Fafner by the protagonist of Wagner’s Ring Cycle, Siegfried, is expressed through both the representational nature of drawing and physical manipulation of that drawing’s support.
2004
Charcoal pencil on rice paper
Dimensions variable
Installation view, Adelaide Central Gallery
Photograph by Mick Bradley
Draping over a gallery wall, three drawings propose three means of interacting with said wall, both through their imagery and through their physical relationship to the architecture.
2007
Graphite on paper and drafting film
15x15cm
Photograph by Mick Bradley
This series of drawings invokes visual puns afforded by an image on drafting film laid over an image on opaque paper.
2007
Ink on paper
8x6cm
Installation view, Downtown Art Space, Adelaide
Photograph by Mick Bradley
A drawing of a mousehole is pinned to the lower portion of the gallery wall.