2015
Swords, steel, springs, motor, and micro-controller
Dimensions variable
Arduino programming and additional fabrication by Simon Loffler
Installation view, SASA Gallery, Adelaide
Photograph by Sam Roberts
This kinetic sculpture simulates a dual between two sword-wielding combatants.
2015
Swords, steel, springs, motor, and micro-controller
Dimensions variable
Arduino programming and additional fabrication by Simon Loffler
Installation view, SASA Gallery, Adelaide
Photograph by Sam Roberts
This kinetic sculpture simulates a dual between two sword-wielding combatants.
2015
Swords, steel, springs, motor, and micro-controller
Dimensions variable
Arduino programming and additional fabrication by Simon Loffler
Installation view, SASA Gallery, Adelaide
Video footage by Sam Roberts
This kinetic sculpture simulates a dual between two sword-wielding combatants.
2014
MDF, enamel paint, concrete, found objects
100x160x80cm
Installation view, Rymill Park, Adelaide
Photograph by Steph Fuller
The re-configuring of the basic components of a standard-issue, Adelaide City Council parkland bench alludes to the science-fictional trope of a teleportation mishap.
2016
Kit model components, balsa, pins, acrylic paint
120x80x40cm
Photograph by Sam Roberts
This object results from an attempt to build three different kit models, relating to three different pop-culture franchises, in the same space, at the same time.
2016
Kit model components, balsa, pins, acrylic paint
120x80x40cm
Photograph by Sam Roberts
This object results from an attempt to build three different kit models, relating to three different pop-culture franchises, in the same space, at the same time.
2016
Kit model components, balsa, pins, acrylic paint
120x80x40cm
Photograph by Sam Roberts
This object results from an attempt to build three different kit models, relating to three different pop-culture franchises, in the same space, at the same time.
2016
Kit model components, balsa, pins, acrylic paint
120x80x40cm
Photograph by Sam Roberts
This object results from an attempt to build three different kit models, relating to three different pop-culture franchises, in the same space, at the same time.
2015
Heat lamp, thermometer, fixings
Dimensions variable
Photograph by Ian Hobbs
Created for a group exhibition predicated on J.G. Ballard’s science fiction novel, ‘The Drowned World’, this sequence of works intervenes in some of the basic apparatus used to chart time, direction, volume, temperature, and distance. The works’ collective title, The Bodkin Experiments, makes reference to biologist Dr Alan Bodkin’s attempts to map and moderate the increasingly accelerated changes wrought on the human psyche by Ballard’s terrifying new Eden.
2015
Modified stethoscopes
100x20x5cm
Photograph by Ian Hobbs
Created for a group exhibition predicated on J.G. Ballard’s science fiction novel, ‘The Drowned World’, this sequence of works intervenes in some of the basic apparatus used to chart time, direction, volume, temperature, and distance. The works’ collective title, The Bodkin Experiments, makes reference to biologist Dr Alan Bodkin’s attempts to map and moderate the increasingly accelerated changes wrought on the human psyche by Ballard’s terrifying new Eden.
2015
Turntable, compass
40x30x40cm
Photograph by Sam Roberts
Created for a group exhibition predicated on J.G. Ballard’s science fiction novel, ‘The Drowned World’, this sequence of works intervenes in some of the basic apparatus used to chart time, direction, volume, temperature, and distance. The works’ collective title, The Bodkin Experiments, makes reference to biologist Dr Alan Bodkin’s attempts to map and moderate the increasingly accelerated changes wrought on the human psyche by Ballard’s terrifying new Eden.
2015
Sundial, acrylic paint, LED lights
Dimensions variable
Photograph by Tom Loveday
Created for a group exhibition predicated on J.G. Ballard’s science fiction novel, ‘The Drowned World’, this sequence of works intervenes in some of the basic apparatus used to chart time, direction, volume, temperature, and distance. The works’ collective title, The Bodkin Experiments, makes reference to biologist Dr Alan Bodkin’s attempts to map and moderate the increasingly accelerated changes wrought on the human psyche by Ballard’s terrifying new Eden.
2006
Timber, plywood, acrylic paint, varnish
150 x 240 x 70cm
Installation view, Adelaide Central Gallery
Photograph by Mick Bradley
An exchange between a silent film villain and their victim is condensed into this sculptural tableau.
2006
Timber, plywood, acrylic paint, varnish
150 x 240 x 70cm
Installation view, Adelaide Central Gallery
Photograph by Mick Bradley
An exchange between a silent film villain and their victim is condensed into this sculptural tableau.