2022
Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm
Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts
Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace.
2022
Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm
Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts
Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace.
2022
Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm
Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts
Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace.
2022
Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm
Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts
Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace.
2022
Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm
Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts
Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace.
2022
Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm
Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts
Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace.
2022
Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm
Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts
Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace.
2022
Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm
Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts
Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace.
2022
Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm
Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts
Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace.
2022
Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm
Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts
Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace.
2022
Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm
Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts
Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace.
2022
Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm
Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts
Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace.
2022
Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm
Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts
Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace.
2022
Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm
Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts
Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace.
2022
Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm
Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts
Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace.
2022
Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm
Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts
Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace.
2022
Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm
Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts
Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace.
2022
Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm
Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts
Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace.
2022
Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm
Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts
Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace.
2022
Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm
Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts
Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace.
2021
Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins
Dimensions variable (footprint of work approximately 60 square metres)
Installation view, Adelaide Central Gallery
Photographs by Sam Roberts
My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts.
2021
Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins
Dimensions variable (footprint of work approximately 60 square metres)
Installation view, Adelaide Central Gallery
Photographs by Sam Roberts
My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts.
2021
Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins
Dimensions variable (footprint of work approximately 60 square metres)
Installation view, Adelaide Central Gallery
Photographs by Sam Roberts
My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts.
2021
Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins
Dimensions variable (footprint of work approximately 60 square metres)
Installation view, Adelaide Central Gallery
Photographs by Sam Roberts
My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts.
2021
Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins
Dimensions variable (footprint of work approximately 60 square metres)
Installation view, Adelaide Central Gallery
Photographs by Sam Roberts
My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts.
2021
Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins
Dimensions variable (footprint of work approximately 60 square metres)
Installation view, Adelaide Central Gallery
Photographs by Sam Roberts
My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts.
2021
Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins
Dimensions variable (footprint of work approximately 60 square metres)
Installation view, Adelaide Central Gallery
Photographs by Sam Roberts
My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts.
2021
Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins
Dimensions variable (footprint of work approximately 60 square metres)
Installation view, Adelaide Central Gallery
Photographs by Sam Roberts
My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts.
2021
Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins
Dimensions variable (footprint of work approximately 60 square metres)
Installation view, Adelaide Central Gallery
Photographs by Sam Roberts
My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts.
2021
Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins
Dimensions variable (footprint of work approximately 60 square metres)
Installation view, Adelaide Central Gallery
Photographs by Sam Roberts
My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts.
2021
Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins
Dimensions variable (footprint of work approximately 60 square metres)
Installation view, Adelaide Central Gallery
Photographs by Sam Roberts
My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts.
2021
Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins
Dimensions variable (footprint of work approximately 60 square metres)
Installation view, Adelaide Central Gallery
Photographs by Sam Roberts
My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts.
2021
Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins
Dimensions variable (footprint of work approximately 60 square metres)
Installation view, Adelaide Central Gallery
Photographs by Sam Roberts
My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts.
2021
Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins
Dimensions variable (footprint of work approximately 60 square metres)
Installation view, Adelaide Central Gallery
Photographs by Sam Roberts
My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts.
2021
Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins
Dimensions variable (footprint of work approximately 60 square metres)
Installation view, Adelaide Central Gallery
Photographs by Sam Roberts
My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts.
2021
Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins
Dimensions variable (footprint of work approximately 60 square metres)
Installation view, Adelaide Central Gallery
Photographs by Sam Roberts
My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts.
2021
Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins
Dimensions variable (footprint of work approximately 60 square metres)
Installation view, Adelaide Central Gallery
Photographs by Sam Roberts
My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts.
2021
Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins
Dimensions variable (footprint of work approximately 60 square metres)
Installation view, Adelaide Central Gallery
Photographs by Sam Roberts
My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts.
2021
Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins
Dimensions variable (footprint of work approximately 60 square metres)
Installation view, Adelaide Central Gallery
Photographs by Sam Roberts
My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts.
2020
Graphite and watercolour on paper
110x75cm
Photograph by Sam Roberts
This annotated isometric drawing proposes a design for a plastic crate, capable of housing the artist’s entire collection of vinyl records.
2017
Graphite, gesso, and digital prints on wall
250x400cm
Installation view, Rayner Hoff Gallery, National Art School, Sydney
Photograph by Steven Cavanagh
In this companion work to ‘Composition for three kit models’, three orthographic projections of schematics derived from the fictional worlds of ‘Star Wars’, ‘Aliens’, and ‘Dungeons & Dragons’, all compete for pictorial space, much in the same way that these various aspects of contemporary folklore complete for space in the artist’s psyche.
2017
Graphite, gesso, and digital prints on wall
250x400cm
Installation view, Rayner Hoff Gallery, National Art School, Sydney
Photograph by Steven Cavanagh
In this companion work to ‘Composition for three kit models’, three orthographic projections of schematics derived from the fictional worlds of ‘Star Wars’, ‘Aliens’, and ‘Dungeons & Dragons’, all compete for pictorial space, much in the same way that these various aspects of contemporary folklore complete for space in the artist’s psyche.
2017
Graphite, gesso, and digital prints on wall
250x400cm
Installation view, Rayner Hoff Gallery, National Art School, Sydney
Photograph by Steven Cavanagh
In this companion work to ‘Composition for three kit models’, three orthographic projections of schematics derived from the fictional worlds of ‘Star Wars’, ‘Aliens’, and ‘Dungeons & Dragons’, all compete for pictorial space, much in the same way that these various aspects of contemporary folklore complete for space in the artist’s psyche.
2017
Graphite, gesso, and digital prints on wall
250x400cm
Installation view, Rayner Hoff Gallery, National Art School, Sydney
Photograph by Steven Cavanagh
In this companion work to ‘Composition for three kit models’, three orthographic projections of schematics derived from the fictional worlds of ‘Star Wars’, ‘Aliens’, and ‘Dungeons & Dragons’, all compete for pictorial space, much in the same way that these various aspects of contemporary folklore complete for space in the artist’s psyche.
2012-2013
Collage, digital print, and graphite on paper
55 components, each 30x21cm
Installation view, Contemporary Art Centre of South Australia
Photograph by James Field
Isometric drawings of various structures and apertures are interspersed with collaged images of outer space.
2012-2013
Collage, digital print, and graphite on paper
55 components, each 30x21cm
Installation view, Contemporary Art Centre of South Australia
Photograph by James Field
Isometric drawings of various structures and apertures are interspersed with collaged images of outer space.
2012-2013
Collage, digital print, and graphite on paper
55 components, each 30x21cm
Installation view, Contemporary Art Centre of South Australia
Photograph by James Field
Isometric drawings of various structures and apertures are interspersed with collaged images of outer space.
2012-2013
Collage, digital print, and graphite on paper
55 components, each 30x21cm
Installation view, Contemporary Art Centre of South Australia
Photograph by Sam Roberts
Isometric drawings of various structures and apertures are interspersed with collaged images of outer space.
2012-2013
Collage, digital print, and graphite on paper
55 components, each 30x21cm
Installation view, Contemporary Art Centre of South Australia
Photograph by Sam Roberts
Isometric drawings of various structures and apertures are interspersed with collaged images of outer space.
2012-2013
Collage, digital print, and graphite on paper
55 components, each 30x21cm
Installation view, Contemporary Art Centre of South Australia
Photograph by Sam Roberts
Isometric drawings of various structures and apertures are interspersed with collaged images of outer space.
2012-2013
Collage, digital print, and graphite on paper
55 components, each 30x21cm
Installation view, Contemporary Art Centre of South Australia
Photograph by Sam Roberts
Isometric drawings of various structures and apertures are interspersed with collaged images of outer space.
2012-2013
Collage, digital print, and graphite on paper
55 components, each 30x21cm
Installation view, Contemporary Art Centre of South Australia
Photograph by Sam Roberts
Isometric drawings of various structures and apertures are interspersed with collaged images of outer space.
2012-2013
Collage, digital print, and graphite on paper
55 components, each 30x21cm
Installation view, Contemporary Art Centre of South Australia
Photograph by Sam Roberts
Isometric drawings of various structures and apertures are interspersed with collaged images of outer space.
2012-2013
Collage, digital print, and graphite on paper
55 components, each 30x21cm
Installation view, Contemporary Art Centre of South Australia
Photograph by Sam Roberts
Isometric drawings of various structures and apertures are interspersed with collaged images of outer space.
2012-2013
Collage, digital print, and graphite on paper
55 components, each 30x21cm
Installation view, Contemporary Art Centre of South Australia
Photograph by Sam Roberts
Isometric drawings of various structures and apertures are interspersed with collaged images of outer space.
2018
Graphite, watercolour, and gesso on paper
188x77cm
Photograph by Steph Fuller
A companion piece to ‘Thin walls between dimensions’, this drawing transposes the dungeon map from Gygax’s iconic adventure module into a series of drawings which utilise a range of parallel metric projections.
2018
Graphite, watercolour, and gesso on paper
188x77cm
Photograph by Steph Fuller
A companion piece to ‘Thin walls between dimensions’, this drawing transposes the dungeon map from Gygax’s iconic adventure module into a series of drawings which utilise a range of parallel metric projections.
2018
Graphite, watercolour, and gesso on paper
188x77cm
Photograph by Steph Fuller
A companion piece to ‘Thin walls between dimensions’, this drawing transposes the dungeon map from Gygax’s iconic adventure module into a series of drawings which utilise a range of parallel metric projections.
2018
Graphite, watercolour, and gesso on paper
188x77cm
Photograph by Steph Fuller
A companion piece to ‘Thin walls between dimensions’, this drawing transposes the dungeon map from Gygax’s iconic adventure module into a series of drawings which utilise a range of parallel metric projections.
2018
Graphite, watercolour, and gesso on paper
188x77cm
Photograph by Steph Fuller
A companion piece to ‘Thin walls between dimensions’, this drawing transposes the dungeon map from Gygax’s iconic adventure module into a series of drawings which utilise a range of parallel metric projections.