2012
Digital print, oak, beeswax
190x120x90cm
Photograph by James Field
A continuous 20-metre-long print of a centipede winds its way through an oak frame.
Artist statement for R’lyeh maquettes, Dianne Tanzer Gallery + Projects, Melbourne
2011
Timber, wheels, acrylic paint, fixings
300x120x120cm
Photograph by Grant Hancock
A stack of trolleys approximates the mutable and unstable alien architectures described in H.P. Lovecraft’s horror and science fiction stories, most notably ‘The Call of Cthulhu’ (1928).
2011
Timber, wheels, acrylic paint, fixings
300x120x120cm
Photograph by Grant Hancock
A stack of trolleys approximates the mutable and unstable alien architectures described in H.P. Lovecraft’s horror and science fiction stories, most notably ‘The Call of Cthulhu’ (1928).
2013
Collage, found object
Photograph by Sam Roberts
Images of deep space, largely indistinguishable from one another, replace the original, brightly coloured stickers on a Rubik’s Cube puzzle box.
2013
Mixed media
Dimensions variable
Installation view, Contemporary Art Centre of South Australia
Photograph by James Field
A modular structure, provisionally secured with clamps, houses a range of small sculptural objects embodying various Lovecraftian tropes and motifs.
2013
Mixed media
Dimensions variable
Installation view, Contemporary Art Centre of South Australia
Photograph by James Field
A modular structure, provisionally secured with clamps, houses a range of small sculptural objects embodying various Lovecraftian tropes and motifs.
Plaster, acrylic paint
2013
Dimensions variable
Photograph by James Field
A pair of cast tentacles crudely mimic Michelangelo’s ‘The Creation of Adam’ (circa 1512).
2013
Mixed media
Dimensions variable
Installation view, Contemporary Art Centre of South Australia
Photograph by James Field
A modular structure, provisionally secured with clamps, houses a range of small sculptural objects embodying various Lovecraftian tropes and motifs.
2013
Mixed media
Dimensions variable
Installation view, Contemporary Art Centre of South Australia
Photograph by James Field
A modular structure, provisionally secured with clamps, houses a range of small sculptural objects embodying various Lovecraftian tropes and motifs.
2013
Plaster, resin, found objects, acrylic paint
30x20x20cm
Photograph by James Field
2013
Plaster, acrylic paint
10x8x15cm
Photograph by James Field
The amorphous and protoplasmic physicality of the monstrous inhabitants of Lovecraft’s fictional universe is approximated in plaster.
2013
Digital print, plaster, MDF, acrylic paint
20x110x110cm
Photograph by James Field
Installation view, Contemporary Art Centre of South Australia
A crumpled image of deep space is supported by a plaster substrate.
2013
Digital print, plaster, MDF, acrylic paint
20x110x110cm
Photograph by James Field
Installation view, Contemporary Art Centre of South Australia
A crumpled image of deep space is supported by a plaster substrate.
2013
Digital print, plaster, MDF, acrylic paint
20x110x110cm
Photograph by James Field
Installation view, Contemporary Art Centre of South Australia
A crumpled image of deep space is supported by a plaster substrate.
2013
Found image, MDF
Dimensions variable
Photograph by James Field
2012
Octopus, book, jar, steel support
40x30x30cm
Photograph by Andrew Noble
Installation view, Dianne Tanzer Gallery + Projects, Melbourne
A preserved cephalopod clutches a copy of ‘The Necronomicon’ in its tentacles.
2012
Toy octopus, book, dowel
12x25x25cm
Photograph by Andrew Noble
Installation view, Dianne Tanzer Gallery + Projects, Melbourne
An arrangement of found objects illustrates one of H.P. Lovecraft’s most oft-quoted literary utterances.
2013
Balsa, acrylic paint, pins
50x50x80cm
Photograph by James Field
2011
MDF, balsa, pins, acrylic paint
Dimensions variable
Photograph by Mick Bradley
2011
Balsa, fishing hooks, builders’ filler
Dimensions variable
Photograph by Mick Bradley
2009
Collaboration between Roy Ananda and Julia Robinson
Timber, fabric, fibreglass, flocking, oxide, varnish, buttons, fixings
Dimensions variable
Installation view at Dianne Tanzer Gallery + Projects, Melbourne
Photograph by Andrew Noble
Julia Robinson is represented by Hugo Michell Gallery, Adelaide.
2009
Collaboration between Roy Ananda and Julia Robinson
Timber, fabric, fibreglass, flocking, oxide, varnish, buttons, fixings
Dimensions variable
Installation view at Dianne Tanzer Gallery + Projects, Melbourne
Photograph by Andrew Noble
Julia Robinson is represented by Hugo Michell Gallery, Adelaide.
2009
Collaboration between Roy Ananda and Julia Robinson
Timber, fabric, buttons, fixings
150x70x70cm
Installation view at Dianne Tanzer Gallery + Projects, Melbourne
Photograph by Andrew Noble
Julia Robinson is represented by Hugo Michell Gallery, Adelaide.
2009
Collaboration between Roy Ananda and Julia Robinson
Timber, fabric, buttons, fixings
150x70x70cm
Installation view at Dianne Tanzer Gallery + Projects, Melbourne
Photograph by Andrew Noble
Julia Robinson is represented by Hugo Michell Gallery, Adelaide.
2009
Collaboration between Roy Ananda and Julia Robinson
Timber, plywood, varnish, fixings
240x240x100cm
Installation view at Dianne Tanzer Gallery + Projects, Melbourne
Photograph by Andrew Noble
Julia Robinson is represented by Hugo Michell Gallery, Adelaide.
2009
Collaboration between Roy Ananda and Julia Robinson
Plywood, fibreglass, flocking, oxide
Dimensions variable
Installation view at Dianne Tanzer Gallery + Projects, Melbourne
Photograph by Andrew Noble
Julia Robinson is represented by Hugo Michell Gallery, Adelaide
2009
Collaboration between Roy Ananda and Julia Robinson
Timber, fabric, fibreglass, flocking, oxide, varnish, buttons, fixings
Dimensions variable
Installation view at Seedling Art Space, Adelaide
Photograph by Roy Ananda
Julia Robinson is represented by Hugo Michell Gallery, Adelaide.
2009
Collaboration between Roy Ananda and Julia Robinson
Plywood, fibreglass, flocking, oxide
Dimensions variable
Installation view at Seedling Art Space, Adelaide
Photograph by Roy Ananda
Julia Robinson is represented by Hugo Michell Gallery, Adelaide.
2009
Collaboration between Roy Ananda and Julia Robinson
Timber, plywood, varnish, fixings
240x240x100cm
Installation view at Seedling Art Space, Adelaide
Photograph by Roy Ananda
Julia Robinson is represented by Hugo Michell Gallery, Adelaide.
2009
Collaboration between Roy Ananda and Julia Robinson
Timber, fabric, buttons, fixings
150x70x70cm
Installation view at Seedling Art Space, Adelaide
Photograph by Roy Ananda
Julia Robinson is represented by Hugo Michell Gallery, Adelaide.