2022
Heat transfer vinyl on cotton t-shirt
80x60cm
Printed by Marian Sandberg
Photograph by Sam Roberts
Referencing Jasper Johns’ 1960 lithograph ‘0 through 9’, ten iconic band logos are overlaid with one another on a t-shirt created for the 2022 FELTspace fundraising auction.
2022
Heat transfer vinyl on cotton t-shirt
80x60cm
Printed by Marian Sandberg
Photograph by Sam Roberts
Referencing Jasper Johns’ 1960 lithograph ‘0 through 9’, ten iconic band logos are overlaid with one another on a t-shirt created for the 2022 FELTspace fundraising auction.
2016
Wax crayon pencil, digital print, pins, paper, plywood
15x10cm
Photograph by Sam Roberts
A photograph of the artist is augmented with wax crayon and stainless-steel pins so as to resemble the primary antagonist of the ‘Hellraiser’ media franchise.
2006
Watercolour, gouache, marker, and graphite on paper
Dimensions variable
Photograph by Mick Bradley
Tropes and motifs from Warner Brothers’ cartoons, Herge’s ‘Adventures of Tintin’, silent films, and slapstick comedy are variously quoted from, celebrated, and hybridised in this suite of drawings.
2006
Watercolour, gouache, marker, and graphite on paper
Dimensions variable
Photographs by Mick Bradley
Tropes and motifs from Warner Brothers’ cartoons, Herge’s ‘Adventures of Tintin’, silent films, and slapstick comedy are variously quoted from, celebrated, and hybridised in this suite of drawings.
2006
Watercolour, gouache, marker, and graphite on paper
Dimensions variable
Photographs by Mick Bradley
Tropes and motifs from Warner Brothers’ cartoons, Herge’s ‘Adventures of Tintin’, silent films, and slapstick comedy are variously quoted from, celebrated, and hybridised in this suite of drawings.
2006
Watercolour, gouache, marker, and graphite on paper
Dimensions variable
Photograph by Mick Bradley
Tropes and motifs from Warner Brothers’ cartoons, Herge’s ‘Adventures of Tintin’, silent films, and slapstick comedy are variously quoted from, celebrated, and hybridised in this suite of drawings.
2006
Watercolour, gouache, marker, and graphite on paper
Dimensions variable
Photograph by Mick Bradley
Tropes and motifs from Warner Brothers’ cartoons, Herge’s ‘Adventures of Tintin’, silent films, and slapstick comedy are variously quoted from, celebrated, and hybridised in this suite of drawings.
2006
Watercolour, gouache, marker, and graphite on paper
Dimensions variable
Photograph by Mick Bradley
Tropes and motifs from Warner Brothers’ cartoons, Herge’s ‘Adventures of Tintin’, silent films, and slapstick comedy are variously quoted from, celebrated, and hybridised in this suite of drawings.
2006
Watercolour, gouache, marker, and graphite on paper
Dimensions variable
Photograph by Mick Bradley
Tropes and motifs from Warner Brothers’ cartoons, Herge’s ‘Adventures of Tintin’, silent films, and slapstick comedy are variously quoted from, celebrated, and hybridised in this suite of drawings.
2006
Watercolour, gouache, marker, and graphite on paper
Dimensions variable
Photograph by Mick Bradley
Tropes and motifs from Warner Brothers’ cartoons, Herge’s ‘Adventures of Tintin’, silent films, and slapstick comedy are variously quoted from, celebrated, and hybridised in this suite of drawings.
2006
Watercolour and graphite on paper
23x25cm
Photograph by Mick Bradley
A linked pair of visual quotations from Maurice Sendak’s ‘Where the Wild Things Are’ (1963) acts as an abridgement of the book’s narrative arc.
2010-2011
Drawing, photographs, collages, and low relief sculptures
Dimensions variable
Photograph by Mick Bradley
Installation view, Adelaide Central Gallery
Presented as part of ‘Home Stories’, a collaboration between South Australia’s Migration Museum and Adelaide Central Gallery, this suite of follically-themed works responds to a fake beard, dated early 20th century, from the Museum’s collection.
2008
Gouache and collage on paper
12x18cm
Photograph by Roy Ananda
A small intervention in a found image reimagines it through the lenses of comic books and kung fu movies.
2011
Digital print
Dimensions variable
An A-Z of famous beards are assembled as a series of pixelated photographic images.
2004
Pencils, cardboard
4x20x1cm
Photograph by Mick Bradley
Five pencils are each inscribed with a single-word directive for their use.